On Art

Technique versus Inspiration: The Ultimate Creative Question

Eye of the Storm
Eye of the Storm

Technique or Inspiration? What is more important? Ultimately, art happens in the viewer’s mind. It does not happen in the artist’s inspirational feelings or in his paintbrushes.  In other words, even though creativity is definitely a state of mind, this state of mind is clearly carried forward and executed as a discretionary act. Technique requires scientific knowledge of the causes and effects of the different components used in, for example, oil painting. The rational choices the artist makes during execution regarding these components directly influence the viewer’s perception and experience.

Technique Components

Examples of technique components used in painting are:

                                      Colour, values, texture, edges, drawing, design

The use of the above, in addition to many others, must be done with knowledge and deliberate intent. Thus, even though the creative process starts with and is carried forward with inspiration, the artist must still make deliberate use of certain effects, techniques or “tricks of illusion”.

Walgaard Portrait - Close-up Shawl
Walgaard Portrait – Close-up Shawl

Examples

Here are a few examples of areas where the artist can make deliberate choices that direct and influence the viewer’s perception.

  1. Colour Choices: Different colours invoke different emotional and mental responses. The artist must not only know whether the colours he uses convey his intentions, but also how to combine them effectively with other colours. In conclusion, scientific knowledge of colours, their combinations and effects is very important.
  2. Hard and Soft Edges: By using hard and soft edges intentionally, the artist draws the viewer’s eye to focal areas and away from non-focal areas. Hard edges draw attention and focus, whereas soft edges draw attention away from the focal point.
  3. Texture: Like edges, increased texture and impasto in painting draw the viewer’s attention.
  4. Design: A long horizontal line, for example, creates a feeling of expanse and peace, while vertical lines tend to divide.
Hennie Joubert
Hennie Joubert
Pretoria, South Africa

In conclusion, inspiration matters, but knowledge and visual vocabulary are even more important because they’re the vehicles through which you communicate your intentions.   

Turquoise, The Magnificent Colour

Turquoise, the one colour that I never tire of. I’m going to be myself here – just plain Martjie Carter. It is not a standard or safe colour. Yet all its shades suit my psyche, whether in what I wear, the décor of my house, the stationery I use, or the paintings I do. Without fail, it does something for me.

In the dazzling world of colour, there are so many totally exquisite colours. For example, strong bright pinks, magentas, midnight blues, viridian greens, ice greens, shell whites, bright golden yellows and many more. I truly love and enjoy them all, but they all have a lifespan with me. The only one I can keep around permanently, through all seasons, is the colour TURQUOISE. This applies to all its numerous shades.

Infinite Varieties of Turquoise

All the infinite varieties of turquoise say the same thing: beauty, purity, freedom and boldness. It is the colour of the sea, the colour of the ocean and the colour that makes us think of islands. Just look at the following images:

My painting “The Colour Turquois” is a large 60” x 46” oil painting.

The colour Turquoise
Click on the image for more.

I did this painting in defence of this daring, pure, and uplifting colour. It was exhibited at Knysna Fine Art in their show “THE ALLEGORY OF PAINTING”, in that beautiful space with its turquoise pillars.

More of my oil painting portraits that benefited greatly from turquoise include the life-size portrait I did of Roelien Smit, wife of internationally known sculptor Anton Smit, and the life-size, 2-meter-high oil portrait of the Walgaards.

Click on the images for more.